1. The Dutchman Amiri Baraka Sparknotes
2. The Dutchman Baraka

Download Amiri Baraka The Dutchman Pdf. Dutchman is a play written by African-American playwright Amiri Baraka, born Everett LeRoi Jones. Dutchman was. Dutchman Amiri Baraka 1964 CHARACTERS CLAY, twenty‐year‐old Negro LULA, thirty‐year‐old white woman RIDERS. Notes on amiri baraka and the dutchman.pdf - Amiri Baraka and. As had been resonant in Amiri Baraka’s call to create. Download our dutchman amiri baraka.

The Dutchman Written By: Amiri Baraka Presented By: Mary Blenke 'A man is either free or he is not. There cannot be any apprenticeship for freedom.' Amiri Baraka Timestamp: 36:49-37:41 Assimilation and Race in America As an African American writer, Amiri Baraka hoped to talk about the difficulties that came with attempted assimilation into the white society during the Civil Rights Movement. This presentation will touch on the ways attempted assimilation can be ineffective to those who still adhere to stereotypical ideas and how Baraka aims to combat these stereotypes by bringing them to life. Please view the timestamp on the next slide. Scene Analysis (Script) LULA But you change. Blankly And things work on you till you hate them.

More people come into the train. They come closer to the couple, some of them not sitting, but swinging drearily on the straps, staring at the two with uncertain interest CLAY Wow. All these people, so suddenly. They must all come from the same place. That they do. You know about them too?

About them more than I know about you. Do they frighten you? CLAY Frighten me? Why should they frighten me?

LULA 'Cause you're an escaped nigger. Creasy and resnick. LULA 'Cause you crawled through the wire and made tracks to my side. LULA Don't they have wire around plantations?

Scene Analysis (Setting): The scene of this part of the play is much like the rest of the scene. Lula and Clay are in a moving train, traveling to some sort of destination.

However, this scene introduces an influx of people, which Lula assumes makes Clay uncomfortable. This is where Lula begins to poke at Clay's African American roots. Throughout the first half of the play Lula is gentle, but now expresses her motive for speaking with Clay; to bring out stereotypes and challenge his ethnicity. This short scene has an interesting irony that captures the theme of the whole play. Scene Analysis (Theme): The juxtaposition of the moving train and the happenings inside are what causes the irony of this situation. Trains traditionally move people forward, while inside the train society is taking a step backwards.

The Dutchman Amiri Baraka Sparknotes

There is no segregation on the train by law. Yet, when Clay is stabbed by Lula there is a clear separation of black and white. Scene Analysis (Characters): Lula represents a white America unwilling to move forward with equality progress. Clay represents a black America trying to move forward while being constantly attacked and haunted by the treatment of white America. Final Thoughts: This play gives a peak into existentialism and the idea that people are criticized, attacked, and even killed for things they have no control over. Clay did not make himself African American, he had no control over the color of his skin or his ancestry.

The Dutchman Baraka

The structure of the play is a train full of irony as people physically move forward while they mentally move back. This idea has some relevance even today as American moves forward to take steps back. Full Play PDF: http://faculty.atu.edu/cbrucker/Engl2013/texts/Dutchman.pdf.